What connects the Moon to our own lived experience?
Curator Ece Pazarbaşı and artist Stella Geppert invite you on a guided tour through the exhibition Earth’s Shadow, Moon’s Crust, sharing personal insights into their work and the development of the project.
Opening of the exhibition Earth’s Shadow, Moon’s Crust with introduction by the curators.
The exhibition explores humanity’s fascination with the moon—as a mirror of both our inner and outer worlds. Starting from an earthly vantage point, it examines how our understanding of the moon is shaped by natural elements such as water, stone, and breath.
According to plans by the Senate Department for Culture and Social Cohesion, the Exhibition Remuneration Fund for Visual Artists (FABiK) will be suspended in 2025. Artists will lose the basis for their work and the public will have fewer free cultural offerings in municipal galleries. Stand up with us for the payment of artistic work.
The curators Polynome collective provide an insight into the cosmos of the exhibition Cosmopolitics and invite to a walkabout.
Opening of the exhibition Cosmopolitics with introduction by the curators.
In the era of the New Space, Cosmopolitics argues that the cosmos is a common good belonging equally to all terrestrial entities.
Curator Dr. Álvaro Garreaud guides through the exhibition “Sorry, but I’m Not Sorry” for the last time and provides an insight into Béla Váradi’s photo series showing LGBTQIA+ people within the Sinti:zze, Rom:nja and Traveller:innen (GRT) community.
Curator Dr. Álvaro Garreaud guides through the exhibition “Sorry, but I’m Not Sorry” and provides an insight into Béla Váradi’s photo series showing LGBTQIA+ people within the Sinti:zze, Rom:nja and Traveller:innen (GRT) community.
We are happy to invite you to the opening of the exhibition “Sorry, but I’m Not Sorry” - Queer Imagination: Photo series by Béla Váradif” with an accompanying performance by Alexey Kokhanov.
At the beginning of spring, Thomas Rentmeister photographed the surfaces of piles of snow that had not yet completely melted away and used them as a motif. The image sections were then paradoxically transformed by a digital filter into a structure that resembles analog television snow (white noise).
The work can be seen on the billboard at the dock 24 hours a day until the end of March.
The image for the billboard is part of the “kennen” series, which was created back in 2002. Annette Kisling visited a park, the Bosse Valley, where she spent a lot of time as a child.
The work can be seen on the billboard at the dock 24 hours a day until the end of January.
