Nezaket Ekici has been working on the ongoing project “Daydream” since 2008. The artist sits on her white bench and performs athletic and slightly lassive movement exercises. She is looking at the camera and not at what is going on behind her. The cows are irritated and run away, only the ox remains and looks at her with its large animalistic posture.

In a series of ephemeral light interventions that Annika Hippler realized during an artist-in-residence fellowship in India, light and water combine in an open landscape: the rushing waves of the ocean atomize on the rocks and dissolve the green laser beam into countless particles of light.

In July 2008 I was invited with my camera to join the wreck of the “Dr. Ingrid Wrengler”, which had been in the Spree for years…

Former postal newspaper distribution office of the GDR 1965-2001, from the work “Verlusterfahrung Moderne”

As early as 1963, Timm Ulrichs included lightning in his “Total Art List” and from then on he continued to explore it. In 1972 he builds a lightning rod, in 1977 he straps one around his chest and runs naked across a field during a thunderstorm.

Petra Spielhagen is interested in images of everyday situations in public space and in the landscape. In particular, she is fascinated by how stages and backdrops for a possible event are created in our increasingly staged reality.

Simultaneously frightened and fascinated by reports of tsunamis and monster waves, Astrid Busch researched the Internet for images of these phenomena.

Berit Myrebøe’s poster can be seen around the clock on the water wall at the dock of Kunstbrücke am Wildenbruch.

Water determines the new art location at the Wildenbruchbrück and everything that lives in it also belongs to the water. With a web of fine lines in his pencil drawings, Matthias Beckmann manages to delve deep into the still mysterious underwater world.

The Berlin-based artist Karen Koltermann shows the large-format photograph of an intimidating-looking shipwreck at the Neuköllner Schiffahrtskanal.