Felix Deiters, alongside the three artists Kallirroi Ioannidou, Johannes Mundinger and Marina Naprushkina, was invited to design a poster commenting on the suspension of the fund. It features a question placed on a microscopically enlarged photograph of a small cut.

At the beginning of spring, Thomas Rentmeister photographed the surfaces of piles of snow that had not yet completely melted away and used them as a motif. The image sections were then paradoxically transformed by a digital filter into a structure that resembles analog television snow (white noise).

The image for the billboard is part of the “kennen” series, which was created back in 2002. Annette Kisling visits a park, the Bosse Valley, where she spent a lot of time as a child.

Nezaket Ekici has been working on the ongoing project “Daydream” since 2008. The artist sits on her white bench and performs athletic and slightly lassive movement exercises. She is looking at the camera and not at what is going on behind her. The cows are irritated and run away, only the ox remains and looks at her with its large animalistic posture.

In a series of ephemeral light interventions that Annika Hippler realized during an artist-in-residence fellowship in India, light and water combine in an open landscape: the rushing waves of the ocean atomize on the rocks and dissolve the green laser beam into countless particles of light.

In July 2008 I was invited with my camera to join the wreck of the “Dr. Ingrid Wrengler”, which had been in the Spree for years…

Former postal newspaper distribution office of the GDR 1965-2001, from the work “Verlusterfahrung Moderne”

As early as 1963, Timm Ulrichs included lightning in his “Total Art List” and from then on he continued to explore it. In 1972 he builds a lightning rod, in 1977 he straps one around his chest and runs naked across a field during a thunderstorm.

Petra Spielhagen is interested in images of everyday situations in public space and in the landscape. In particular, she is fascinated by how stages and backdrops for a possible event are created in our increasingly staged reality.

Simultaneously frightened and fascinated by reports of tsunamis and monster waves, Astrid Busch researched the Internet for images of these phenomena.